Rejection is Good

I rarely repeat myself, but I'm going to here:

I don't look at the fiction submission process as an interview where I am the candidate. I think of it as an editor search. An agent/editor is a book's first consumer. Write the right book and find the right first consumer and they'll be best positioned to match the book with a like-minded audience. A query letter isn't a "please love me" note - it is a ruthless way of culling out all the wrong people who aren't a good match for your stuff.

So, getting a lot of rejections doesn't mean you are a lousy writer, it means you are cutthroat and specific. You know what you are looking for, and you have the pile of rejected editors and agents to show for it.

Quick "no's" are critical. It's what the potential readers do all the time.

Agents/editors aren't evaluating you, you are evaluating them. You've got to rip through as many of them as you can in order to unearth the right one. Rejections are good.

Quick rejections are better.

Shut Up and Write You Stupid Writers

Okay, maybe the post title is my own creation, but the inspiration is all Mike Duran.

Now, my posterior is far wide enough to sit comfortably on both sides of the fence on just about any issue, which, according to one of Martin Luther's Lectures on Genesis*, makes me a drunk.

*I think. Don't quote my source, as my memory is addled.

Powerful Words for Good Little Authors to Avoid at All Costs

CBA authors and pretenders to the throne: ever wonder exactly which word it was that got your manuscript sent back for revisions?

Wonder no more: Seven angels, three kids, one family has a behind the scenes look at the infamous CBA word committee.

[And to The Writer's Cafe Press, my hat is tipping your direction. I assure you it is an accident.]

New Agent for Weird Writers

There's a new literary agent who just hit the ground, and she's taking submissions in Fantasy and Science Fiction. Her name is Colleen Lindsay and here are her submission guidelines, if you happen to be looking for an agent.

Try to get her attention before everyone in the world knows about her and her slate is full.

Secular versus Christian, or Apples versus Oranges: Smackdown

The invaluable Lost Genre Guild has a post up about the monolithic acronymns in Christ-centered bookselling: the ABA, the CBA and the ECPA. In Secular vs. Christian? Sue Dent and Cynthia MacKinnon try to expose the breadth of publishing options open to Christian writers of the strange.

I seem to recall a journal posting by Ted Dekker about the emerging culture and how the line between secular and Christian is arbitrary. Christians both engage and contribute to the culture, or at least they should. Can one understand the culture without falling into sin? Can one address the culture without cloistering?

Yes. If you can let go of rumor and assumption and embrace Christ alone, you can.